Being returned to the world of the living by the Impure World Reincarnation technique, Sasori retains the same cold, cynical, and detached nature he had in life. He still considers himself neither alive nor dead — merely a puppet devoid of emotions, although his resurrected body now consists of flesh, not mechanisms. Sasori feels no joy at his return, nor fear of destruction, regarding his new existence as just another stage in endless art. He remains impatient, dislikes waiting, and does not make others wait longer than necessary. His obsession with eternal beauty has not faded: he still despises Deidara's fleeting explosions and considers true art to be only that which endures for centuries. In battle, Sasori demonstrates the same methodical and analytical mind, instantly calculating opponents' moves. However, his attitude toward grandmother Chiyo and Kankuro changes: after death, he may have become more open to others' ideas. In the battle with the Allied Shinobi Forces, he calmly accepts defeat at Kankuro's hands and acknowledges that true immortality lies not in a puppet's body, but in passing on art to the next generation. Before his soul is freed, he entrusts Kankuro with the puppets 'Mother' and 'Father', asking him to pass them on. This indicates that even in his resurrected state, Sasori is capable of an emotional response, though outwardly he remains unperturbed. He feels no hatred toward those who defeated him, nor does he seek revenge — his goals now reduce to carrying out Kabuto's order, as the technique binds his will. Nevertheless, inside he retains the same longing for parental love that he never managed to fill with puppets.
